Drawing ceramics from Sai Island, New Kingdom Pharaonic town: One of the masterpieces

Additionally to processing the find from our current excavations at SAV1 East and SAV1 West, we continue, like in 2013, documenting material which was excavated in SAV1 North in the last years by Florence Doyen.

Nicole, Julia andDSC_5023 Elke have been very busy in the last weeks and I would like to present one of the masterpieces. This unique fragment also nicely illustrates why detailed drawings of pottery vessels are simply necessary in additions to photos: technical and morphological details, the general shape and also the outline of decorative patterns can be best clarified with a drawing in 1:1.

Rhyton SAV1N

Pencil drawing of decorated rhyton SAV1N N/C 1205.

The important piece recently documented with an accurate drawing by Nicole is a lower part of a decorated rhyton, covered in a red slip and burnished, made in a very fine Nile B (SAV1N N/C 1205). The area around the perforated bottom of this vessel is painted in black with floral elements. Just above these lotus flowers a register with figural painting is still partly visible. According to the remains it seems to be a scene in the marshes: a striding male figure is carrying something with a pole set on his shoulder. Maybe the hanging objects are large fishes? Nicole is still not completly convinced and I must admit that her nice drawing also raised some doubts for my interpretation.

As I have stressed in an earlier post, rhytons like N/C 1205 had the character of luxury items in 18th Dynasty Egypt, the vessel shape being characteristically Aegean. Our small masterpiece from SAV1 North is an Egyptian copy in Nile clay of a Late Minoan IA rhyton.

Blue Painted pottery from the Pharaonic town of Sai

One of the best known pottery wares from Pharaonic Egypt is the so-called Blue painted ware, popular from the mid 18th Dynasty until Ramesside time and thus obviously a good example for a time-specific taste regarding the decoration of ceramics. Until now, Blue painted pottery was found in rather limited numbers in Nubia, at both cemetery sites like Tombos and also at New Kingdom settlements like Sesebi, Amara West and Sai Island.

The number of Blue painted sherds coming from the fortified town of Sai was very small before this season – by now we have more than doubled it, but there are still not more than a good dozen fragments of this specific ware!

In 2014, both Marl clay and Nile silt wares with blue decoration have been unearthed at SAV1 West. The Nile clay vessels are simple beakers with linear design, the Marl clay vessels are larger in size, closed shapes and with more fancy motifs. My favourite piece is a large body sherd with a beautiful design, found east of the enclosure wall.

DSCN3770aIt is a Marl clay vessel imported from Egypt, an uncoated ware (Vienna System Marl A3 variant) with the decoration executed in blue, black and red. It finds perfect parallels in Egypt, especially in my corpus of blue painted vessels at Elephantine. It falls into the category of the very early, pre-Amarna type of Blue painted ware. Well dateable to the mid 18th Dynasty thanks to comparisons, this corresponds to its archaeological context at Sai – the vessel belongs to the phase when the site experienced its heyday during the reigns of Thutmose III and Amenhotep II.

For now the new Blue painted sherds from Sai are very useful for dating, but in general I do hope that we will be able to contextualise them as well – using them as small indicators for what seems to have been a quite sophisticated lifestyle here in Upper Nubia during the 18th Dynasty.

Excursion to Abri: comparing ancient and modern pottery traditions

The scientific analyses of the first set of samples from the last Field Season (SIAM Mission 2013) are almost concluded in Vienna and the preliminary processing of the data has already shown some very interesting and intriguing results.
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During the current season my main task is primarily selecting new ceramic specimens for the next analyses – having a large set of samples appears extremely important especially for the chemical results in order to improve the statistical reliability of the data! Beside many different New Kingdom wares (Egyptian and Local Nile clays, Nubian fabrics, Marl clays and Imports from Canaan, the Levant and the Oases) from the excavation areas SAV1 North, East and West within the Pharaonic town, we selected also some modern traditional ceramics to be used as comparative samples for the ancient production.

For this reason we went to the near-by city of Abri last week: Huda, our inspector of NCAM, and also Erich joined me – as a geologist Erich is also interested in seeing where the modern potters collect the raw material for their vessels.
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Not so far away from the centre of the village and from the area of the market there is in fact an intact ceramic workshop where a family of modern potters (‘bagadra’) still produce different kind of vessels according to a traditional recipe handed down from one generation to another!

Potters Abri Potter at the wheel small

Thanks to Huda (for this occasion our personal interpreter!) we had the unique opportunity to interview the potters and to ask them about their job, the function of the vessels and the manufacturing process!
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The pots are wheel-made (on a slow wheel), even though the upper part of the vessel is sometimes finished by coiling. Before the firing, they are put for 2-3 days upside down in the sand and then left some more days under the sun till they become completely dry.

Over 50 vessels are produced and then sold to Abri, Sai, Ernetta and even to Khartoum every month! This production consists mainly in large jars (zir) used for containing and keeping cool water,  but they also make smaller vessels (e. g. milk/mish jars), cooking pots (hala), flower pots, incense burners and so on!
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In addition, what appears really interesting is that the potters seem partially to differentiate their ‘recipe’ (in terms of choice of clayey raw material and tempers), according to the specific function and the performance required by the vessel!

We learnt a lot from this conversation and we came back home very inspired bringing with us some nice ceramic pieces kindly offered by the potters – they have been already documented and will be soon submitted for the next laboratory analyses!

SAI_4721Abri sample

First Results: Mud bricks, ceramics and much more

Week 2 at SAV1 East and SAV1 West has just started – our first week of fieldwork passed very quickly, with promising first results! Both sites are keeping us really busy, but already at this early stage some findings are worth mentioning:

SAI_2960At SAV1 East we are actually following up our work of last year – the western extensions to our first squares at this site mirror the discoveries from 2013. We were already able to trace mud brick remains just below the surface – according to their alignment they could very well represent the western part of Building A – possibly with some entrance rooms and a substantial wall enclosing the large courtyard. Like in the eastern trenches, we are facing the problem of many pits and disturbances dug into the Pharaonic remains – nevertheless we are very optimistic to come up with a more complete understanding of the 18th Dynasty building activity in this area in the next weeks.

SAI_2924In both trenches at SAV1 West in situ remains of the enclosure wall have been unearthed. Associated small finds and the ceramics support its dating to the 18th Dynasty. Especially at Square 1 the amounts of New Kingdom pottery are huge – east of the wall we have large assemblages of mid 18th Dynasty ceramics, comparing well to SAV1 North and also in some respects to SAV1 East. Especially remarkable are a considerable number of Nubian cooking pots, of so-called Fire dogs, of fish dishes and painted wares! One of my favorite pieces which just came out today is a Blue painted sherd – until now this particular type of decorated ware was very rare at Sai – will our current excavations modify this picture?

We also started to register the small finds and tools – some of the highlights are net weights, Nun bowls and female figurines – all very well known from other Egyptian sites and also within the Pharaonic town of Sai.

All in all, we are more than happy with the outcome of the first week and very keen to continue the investigation of life at Sai Island during the New Kingdom! Lots of questions are still open…

New Perspectives: The western edge of the Pharaonic town

SAI_1639One of our goals this season is to investigate the enclosure wall of the fortified New Kingdom town of Sai on its western side, just north of the main city gate. We opened two squares at a new site labelled SAV1 West.

P1000024 SAI_1641Both trenches comprise mud bricks visible on the surface – according to their alignment they should belong to the enclosure wall of the town and maybe to one of its towers. Therefore it was no surprise that a large amount of 18th Dynasty pottery came to light already during surface cleaning – however, the precise quantities and proportions are quite interesting. Square 1 (10 x 10 m) yielded 26 baskets of pottery and 75 % are datable to the 18th Dynasty! The remaining 25 % include Post-Meroitic material, but most of it is Christian and Ottoman ceramic.

Trench 2 (15 x 5 m) is set above a shallow depression further south and only 9 baskets of pottery were collected from the surface – out of these sherds, just 24 % are of New Kingdom date. The majority belongs to material of Post-Pharaonic times, in particular the Christian/Medieval period. Thus, the relations of the ceramics are completely opposite than in Square 1. An interesting starting point for the upcoming weeks – does it reflect the neighborhood of the Ottoman fortress which is closer to Square 2 than to Square 1 and/or a disturbance in ancient time? Or can it be explained differently? We’ll keep you posted as work at SAV1 West continues!

Back at SAV1East, Sai Island

SAI_0926As scheduled, we started today the 2014 field season with our team of workmen, supervised by Rais Imad Mohammed Farah and our NCAM inspector Huda Magzoub. It’s very good to be back at SAV1East – we extended our excavation area towards the North and West aiming to cover more of Building A.

SAI_0936SAI_0946Especially the Western part proved already very interesting after the first surface cleaning – almost 50 % of the ceramics are 18th Dynasty in date! They can be well dated to Thutmoside time respectively the mid 18th Dynasty. Like we observed in 2013, the amount of beer jars and bread moulds is striking! Especially conical bread moulds increase in quantity the further south we get in our new squares – mirroring the results of last year and probably reflecting the nearness to Temple A, the local Amun-Re temple of the 18th Dynasty.

Just today, I had already fragments of 30 bread moulds among the surface material, always associated with 18th Dynasty beer jars and flower pots. Hopefully we will be able to contextualize these findings this year more precisely!

Drawing with our new interactive tablet

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At the moment I am working with a new device – an interactive multi-touch pen display which is really exciting because it is tablet and monitor in one. So far I have drawn with a tablet only. First of all: drawing with this interactive tablet takes practice – you have to find the right position for drawing and get used to it. Arranging the original drawing you want to digitalize on the tablet is quite easy – we just fix the tracing paper directly with tape to the tablet.

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My next step was to personalize everything, e.g. to calibrate the pen, to define key assignments and so on. I am using Adobe Illustrator for drawing, offering tools and applications of high precision. I can choose different line thicknesses, different styles of hatching, color schemes etc. – so there are no big restrictions in comparison to ink the pencil drawings.

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But there is one major difference which is also a great advantage: with digital drawing you can easily erase mistakes with your pen. In our case, I just use the interactive pen upside down and my line gets erased again. Currently, I’m finalizing New Kingdom pottery drawings from the field season 2013. It will be exciting to produce in the upcoming season my own pencil drawings at the site thus being responsible from the first step of the documentation until the final digitalization.

 

 

Potential of decorated pottery I: Semiotics

At present, analysing semiotic aspects of ancient pottery is quite on vogue in archaeology (cf. Preucel 2010: 230–238 and passim). I do see much potential in this approach and I have recently presented a small case study on Blue painted pottery (Budka 2013). Of course there are clear limits of possibilities to reconstruct ancient ideas and symbolism – nevertheless the famous Blue painted ware with ornamental Hathor vessels (for which see most recently the great post by Anna Garnett, Manchester Museum), Bes jars and mostly floral decoration nicely illustrates that such New Kingdom vessels had a symbolic value, probably with several semantic layers.

Selected Blue painted pottery vessels (Berlin and London).

Selected Blue painted pottery vessels (Berlin and London).

The colour blue may have referred to faience and glass instead of pottery in the first place. Colin Hope assumed a time-specific taste for the Blue painted pottery: “The impetus for its manufacture undoubtedly lay in the taste for elaboration during an age of luxury” (Hope 1982, 88). A preference for blue as a matter of taste and an expression of a specific Zeitgeist seems indeed likely (cf. Budka 2013). Here it is important that as archaeologist we take into account a wide range of emotions possibly associated with objects in various contexts and in different social strata – of course these associations cannot be kept apart from culture and society in general (cf.  Tarlow 2000, 713). The aesthetic qualities of Blue painted vessels are usually highly valued in the eyes of modern Egyptologists – but can we trace aspects of its approval in the mind of the Ancient Egyptians? It is striking that common vessel types like simple beakers and dishes appear together with special, large ornamental vessels with complex applications within the corpus of Blue painted ware (cf. Budka 2008). Thus, sometimes the only difference to well-known vessel types of the New Kingdom is simply the decoration. Here the colour blue and the common floral motifs (painted or moulded) like the blue lotus seem to refer to wide-ranging creative aspects and especially to rebirth (cf. Budka 2013).

For a short time, Blue painted pottery formed an integral component of the material culture of the New Kingdom, both of the domestic equipment and of the votive offerings for temples and sanctuaries. Similar to painted wares in various cultural contexts around the world, it may have “served as the good china of the day” (Wonderley 1986, 506). Because of the particular character of the ware daily activities for which Blue painted pottery was used, received a special connotation. I don’t think that the simple presence of blue painted or other “exotic” vessels in domestic settings do necessarily suggest a “palace character”, a comfortable lifestyle or high status of its inhabitants: they point rather to the presence of religious, cultic or festive activities respectively the evocation of such a sphere.

Blue painted pottery is present at all sites investigated within the framework of AcrossBorders – at Sai, Elephantine and also at Abydos. But the number of sherds found at Sai is still very limited – maybe this is one of the differences to the Egyptian sites. However, there is the possibility to investigate the multiple semantic layers of ceramic vessels with another case study for our project: a group of decorated vessels in red-and-black painted (Bichrome) style. These vessels are attested in Egypt both in Nile clay and in Marl clay variants, whereas in Upper Nubia preferably Nile silt versions are known (Ruffieux 2009; Budka 2011).

Bichrome painted jar fragment from Sai Island.

Bichrome painted jar fragment from Sai Island.

Based on a number of closely similar fragments from Elephantine and Sai, we will try to find possible answers to the question whether the specific decorative bichrome painted style and the most common motifs like antelopes, horses and flowers have a similar symbolic value for its users, both in Egypt and Upper Nubia. Our last week at Elephantine will therefore focus on the documentation of these very specific red-and-black painted vessels.

My New Kingdom pottery database of Elephantine counts a total of 52 Nile clay vessels and 52 Marl clay bichrome painted sherds which will enable us to address some of the questions outlined here.

Fragments of a bichrome painted Nile clay jar from Elephantine.

Fragments of a bichrome painted Nile clay jar from Elephantine.

References

Budka 2008 = VIII. Weihgefäße und Festkeramik des Neuen Reiches von Elephantine, in G. Dreyer et al., Stadt und Tempel von Elephantine, 33./34./35. Grabungsbericht, in Mitteilungen des Deutschen Archäolog­ischen Instituts, Abteilung Kairo 64, 106–132.

Budka 2011 = J. Budka, The early New Kingdom at Sai Island: Preliminary results based on the pottery analysis (4th Season 2010), in Sudan & Nubia 15, 23–33.

Budka 2013 = Festival Pottery of New Kingdom Egypt: Three Case Studies, in Functional Aspects of Egyptian Ceramics within their Archaeological Context. Proceedings of a Conference held at the McDonald Institute for Archaeological Research, Cambridge, July 24th – July 25th, 2009, ed. by Bettina Bader & Mary F. Ownby, Orientalia Lovaniensia Analecta 217, Leuven, 185–213.

Hope 1982 = C.A. Hope, Blue-Painted Pottery, in E. Brovarski, S.K. Doll and R.E. Freed (eds.), Egypt’s Golden Age: The Art of Living in the New Kingdom, Exhibition Catalogue, Boston, 88-90.

Preucel 2010 = R. W. Preucel, Archaeological Semiotics, Malden and Oxford.

Ruffieux 2009 = P. Ruffieux, Poteries découvertes dans un temple égyptien de la XVIIIe dynastie à Doukki Gel (Kerma), in Genava 57, 121-134.

Tarlow 2000 = S. Tarlow, Emotion in Archaeology, in Current Anthropology 41, no. 5, 713-745.

Wonderley 1986 = A. Wonderley, Material Symbolics in Pre-Columbian Households: The Painted Pottery of Naco, Honduras, in Journal of Anthropological Research 42, no. 4, 497-534.

The enigmatic “fish dishes” from New Kingdom settlements

A peculiar type of vessel is frequently found in Egyptian settlements, already from the 13th Dynasty onwards (see Bader 2001, 81–83; Aston and Bader 2009). These quite large, thick walled oval, handmade trays show incised decoration on the interior – commonly depicting fishes, lotus flowers and geometric motives (see, e.g., a nice dish from Kahun, now at the Manchester Museum).

Consequently a label as “fish dish” was proposed for these trays which somehow resemble the well-known Nun-bowls of the New Kingdom (cf. Bader 2001, 81–83). However, in settlement contexts of the later Second Intermediate Period and the early New Kingdom the pattern of these trays are mostly geometrical – diagonal lines, net pattern and fish bone pattern. The function is therefore still debated – such dishes might have been used for peeling corn or scaling fishes (“Schälbecken”), as bread trays or as trays with a (still unclear) ritual function (cf. Seiler 2005, 120–121).

At all sites investigated within the framework of AcrossBorders (Sai Island, Elephantine and South-Abydos), so-called “bread trays” are well attested.

Fragment of Marl "bread tray" from Elephantine.

Fragment of Marl “bread tray” from Elephantine.

Fragment of Marl "bread tray" from South Abydos

Fragment of Marl “bread tray” from South Abydos

 

 

 

 

 

 

At Sai Island, the trays occur both in Egyptian Marl clay (Marl B and Marl E, a special variant of Marl B, see Arnold and Bourriau 1993, 182 and fig. 26) and in local Nile clay variants; the shapes and decoration patterns are in both cases the same. Parallels for the Marl clay examples are known, apart from Elephantine and South Abydos, from early 18th Dynasty contexts at Deir el-Ballas (Bourriau 1990, 21–22) and also from Lower and Upper Nubia (e.g. Buhen (Emery, Smith and Millard 1979, pl. 73) and Sesebi (Spence and Rose et al. 2011, 37)). As yet, the only published parallel for a Nile clay tray comes from a funerary context at Thebes (Seiler 2005, 104-5, fig. 52). However, in the Egyptian settlement at Elephantine, Nile clay trays were found in strata of the 18th Dynasty, closely resembling the ones from Sai.

Nile clay "bread tray" from Sai Island.

Nile clay “bread tray” from Sai Island.

Today, I searched both the Sai Island and the Elephantine New Kingdom databases for “bread trays”. The results are quite remarkable – in both cases 16 pieces for levels ranging in date from the early 18th Dynasty to the mid/late 18th Dynasty have been studied in detail and are included in the databases. At Elephantine, only four examples are made in coarse Nile clay (25 %), whereas the others are made in Marl B respectively Marl E (75 %). At SAV1North, nine examples are of a local, very coarse Nile clay (56 %) and seven have been produced in Egypt, made in a Marl B/E variant (44 %).

Of course the number of these vessels documented in detail is very small – I will have to address the same question to the general statistics of all New Kingdom contexts at SAV1North and Elephantine, not just to the database entries only. Nevertheless, I think this small, but significant difference allows already some preliminary thoughts: Maybe it was more difficult at Sai in Upper Nubia to get replacements for the “real” Marl B/E trays – thus, they were produced in local material. Alternatively one also might speculate, considering the still unknown function of the vessels, that the shape was for some reasons more popular in Sai and more frequently created on demand. It seems as if the difference in material did not make a difference for the ancient users of the trays – and this, from my perspective, makes a use as “Schälbecken” quite unlikely; the Nile clay versions are much softer and porous, not well suited for peeling organic materials. All in all, these vessels might have been fashionable in Upper Nubia because they reflected “Egyptian” life style and were foreign to the local Nubian culture – their specific outer appearance and properties which we as archaeologists use to create classifications and typologies maybe had little significance within the antique context.

References:

Arnold and Bourriau 1993 = Dorothea Arnold and Janine Bourriau (eds.), An Introduction to Ancient Egyptian Pottery, SDAIK 17, Mainz am Rhein 1993.

Aston and Bader 2009 = David A. Aston and Bettina Bader, with a contribution by Karl G. Kunst, Fishes, ringstand, nudes and hippos – a preliminary report on the Hyksos palace pit complex L81, E & L 19, 2009, 19–89.

Bader 2001 = Bettina Bader Tell el-Daba XIII, Typologie und Chronologie der Mergel C-Ton Keramik des Mittleren Reiches und der Zweiten Zwischenzeit, UZK 19, Vienna 2001.

Bourriau 1990 = Janine Bourriau, The Pottery, 15–22 and 54–65 [figs.], in: P. Lacovara, Deir el-Ballas, Preliminary Report on the Deir el-Ballas Expedition, 1980-1986, ARCE Reports 12, Winona Lake, Indiana.

Budka 2006 = Julia Budka, The Oriental Institute Ahmose and Tetisheri Project at Abydos 2002-2004: The New Kingdom pottery, E & L 16, 2006, 83–120.

Emery, Smith and Millard 1979 = Walter B. Emery, Harry S. Smith and Ann Millard, The Fortress of Buhen. The archaeological report, EEF Excavation Memoir 49, London 1979.

Seiler 2005 = Anne Seiler, Tradition & Wandel. Die Keramik als Spiegel der Kulturentwicklung in der Zweiten Zwischenzeit, SDAIK 32, Mainz am Rhein 2005.

Spence and Rose et al. 2011 = Kate Spence and Pamela Rose et al., Sesebi 2011, Sudan & Nubia 15, 2011, 34–38.

At Egypt’s Southern Border: Early New Kingdom pottery from Elephantine

Yesterday, Sebastian Stiefel and I have happily arrived on Elephantine Island. Thanks to our cooperation with the Swiss Institute for Architectural and Archaeological Research in Egypt and the German Archaeological Institute Cairo, we will work here in the upcoming weeks on New Kingdom ceramics, excavated in settlement contexts in various areas of the ancient town. Our special interest is of course a detailed comparison between the material from this important Egyptian site just north of the First Cataract and the finds from Sai Island in Upper Nubia.

While Sebastian is already busy in drawing ceramics, I am currently sorting through boxes and checking database entries. Today, I had the nice opportunity to come back to contexts I’ve worked on in my first season of the New Kingdom ceramics project, back in 2000! 13 years later and with much more experience and a wider knowledge of parallels, I took a fresh look at certain samples and specific sherds which posed some problems.

Among these sherds is an intriguing type of vessel: carinated dishes with incised wavy lines and finger pinched or cut rims. These dishes are regularly red washed, sometimes with additional white as decoration, and they often show vertical applications on the upper part of the vessel. This type is commonly associated with the Second Intermediate Period pottery tradition in Egypt; early variants are already attested since the late Middle Kingdom in Egypt, but these dishes are more common during the Second Intermediate Period (cf. Budka 2011: 29-30).

Carinated dishes with incised wavy-line decoration.

Carinated dishes with incised wavy-line decoration.

Back in 2000, I therefore concluded my sherds from early 18th Dynasty context must be residual pieces – traces of the former occupation during the 17th Dynasty. But now, with both more material from Elephantine and the very close parallels from Sai Island, I would interpret this differently. It seems as if certain variants of these carinated dishes survived up to Thutmoside times, at least to the reign of Thutmose III. At Elephantine, we not only encounter it in Level 10 (Bauschicht 10, early 18th Dynasty to Hatshepsut), but also rarely in the following Level 9 of mid-late 18th Dynasty date. The same holds true for Sai – Level 4, early 18th Dynasty and Level 3, Thutmoside-late 18th Dynasty, produced examples of such vessels. Furthermore, our colleagues working at Sesebi also found similar types in 18th Dynasty contexts (Spence, Rose et al. 2011: 35, fig. 5).

Carinated dishes with incised wavy-line decoration from New Kingdom contexts.

Carinated dishes with incised wavy-line decoration from New Kingdom contexts.

With the present knowledge, I therefore feel reluctant to explain all of these wavy-line decorated carinated dishes from New Kingdom strata as residual pieces, originating in the Second Intermediate Period. Rather, this particular type illustrates that we have to think about possibly very long traditions of ceramic types as well as regional productions and local preferences. Second Intermediate style was not completely passé by the time of the 18th Dynasty! This is very obvious at both Egypt’s Southern border as illustrated by Elephantine and in Upper Nubia with Sai Island as a case study.

References:

Budka, Julia. 2011. “The early New Kingdom at Sai Island: Preliminary results based on the pottery analysis (4th Season 2010).” Sudan & Nubia 15, p. 23-33.

Spence, Kate, Pamela Rose et al. 2011. “Sesebi 2011.” Sudan & Nubia 15, p. 34-38.